Review: Pox Americana

Pox Americana follows the smallpox epidemic that spread through North America from 1775-1782, tracing its impact on the Revolutionary War and Native American and Colonial society. Historian Elizabeth Fenn is meticulous in chronicling the devastation, using firsthand accounts and surviving records to sketch out the death and fear that followed the disease.

The impact of smallpox on the Revolutionary War occupies much of the book. Epidemiologically, the Americans were at a disadvantage. Smallpox was endemic in Europe, and British soldiers were much more likely to have been exposed to the disease, gaining immunity. This vulnerability led to serious losses during the revolutionary army’s invasion of Canada, as smallpox weakened and killed susceptible soldiers.

George Washington struggled with the decision of whether to inoculate his soldiers. Under the imperfect technique of the time, inoculation was a draining affair, confining inoculees to sickbeds. The process also potentially increased the risks of transmission, as inoculees were contagious during the dormant period that followed inoculation. Fenn skillfully uses this dilemma to build tension in a historic account.

In the post-Revolutionary period, Fenn focuses on the impact of smallpox on Native American populations throughout the continent, offering repeated accounts of decimated villages and devastated cultures. Native peoples were more vulnerable to the disease, and the successive accounts of loss are heart-rending.

The book is thorough and engaging but can be technical in its presentation of history. The larger themes of the Revolutionary War aren’t fleshed out. The author, it seems, is confident that readers will remember battles and developments they may not have encountered since elementary school. But the book is compelling in advancing its central theme: the outsized impact of this continent-wide epidemic.

Death Lives

Inspired by Alice Cooper, an all-black band from Detroit cuts a proto-punk classic, only to have it be ignored for 30 years. A little buzz from collectors and a demo tape pulled from an attic lead to a re-issue. Decades after their demise, Death is reborn.

The New York Times has a great article on the band, “This Band Was Punk Before Punk Was Punk,” and you can check out three of their songs at their MySpace page. The music is great—fresh and powerful, with a strong MC5 vibe.

Another Head-Slapper With the Economy

The Boston Globe reports:

The federal agency that insures bank deposits, which is asking for emergency powers to borrow up to $500 billion to take over failed banks, is facing a potential major shortfall in part because it collected no insurance premiums from most banks from 1996 to 2006.

What do you even say? Everyone who was supposed to be in charge failed, and that failure is linked to their own greed. And now we’re all going to pay for their party, even as we’re lectured on how can’t afford health reform because we all need to tighten our belts.

What a scam. What a sick, sick scam.

Review: The Education of a Comics Artist

The Education of a Comics Artist, a collection of short essays and interviews edited by Michael Dooley and Steven Heller, offers a fascinating look into the methods and motivations of some of the top practitioners of visual storytelling. The book presents an amazing lineup of contributors—Jim Steranko, David Mack, Chris Ware, Art Spiegelman, Marjane Satrapi, Kim Deitch and many more legends in the field—weighing in on disciplines ranging from editorial cartoons to comic strips, Archie Andrews to alt comics.

Every section is insightful, with creators reflecting on the influences and insights that inform their work. Some articles are accompanied by black-and-white illustrations, but text is the main focus, with artists elaborating on the creative process that results in ink on paper.

Later portions of the book examine the conceptual framework that surrounds visual storytelling, with articles and interviews on teaching, understanding and—oh yeah—making money from comics. The thoughts on display are diverse, lively and occasionally contradictory, making for a rewarding view into how comics of all types are created.