SXSW 2009 Post-Mortem

This year’s South by Southwest Music Festival featured a ton of great bands. Between day parties and official night showcases, we managed to catch 27 bands in four days. Here’s the music we heard, from favorites to forgettables.

1. Sam Roberts Band
As the Canadians hanging out in El Sol Y La Luna told us, this group sells out arenas north of the border, but here they played to a bar full of fans. The music was definitely arena-worthy, with a huge wall of sound that was reminiscent of U2 or a good Bon Jovi. They closed their set with a monster guitar rave, and then topped it with their encore. A great show.

2. The She Creatures
The She Creatures claim to be from Venus, but their homeworld is really Planet Garage. The all-women band’s blue wigs and space silver bodysuits could be concept overkill with another group, but the group kept it fun with killer fuzz-rock songs like “Sexy Robot” and “She Creatures Invade.”

3. Slow Club
A British boy-girl band—he picked away on guitar, she banged on the drums, and both of them sang high, beautiful songs. It wasn’t all sappy stuff, though—they had some drive in their pocket, and could kick it up to a joyous, jump-along tempo. The crowd loved them.

4. The Golden Arm Trio
Set in a dark, cavernous jazz club, Golden Arm Trio bandleader Graham Reynolds led his group through a tribute to Duke Ellington. A piano, trombone, tenor saxophone, bass and drums all chimed in for a precise, beautiful set, full of small wonders and easy breathing.

5. The Peekers
We stumbled on this group at a day show while reconnecting with high-school friends, and they stood out above all the happy BSing. They had a perfect outdoor sound, with a bright organ, perky harmonies and a happy, skipping uptempo feel.

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Ebert Slams O’Reilly

Roger Ebert is indominitable (and hilarious) in his defense of the Chicago Sun-Times. I wrote a while back about his takedown of Jay Mariotti. Now Ebert has targeted Bill O’Reilly for the newsbuffoon including the Sun-Times in his “Hall of Shame.”

An excerpt:

Dear Bill: Thanks for including the Chicago Sun-Times on your exclusive list of newspapers on your “Hall of Shame.” To be in an O’Reilly Hall of Fame would be a cruel blow to any newspaper. It would place us in the favor of a man who turns red and starts screaming when anyone disagrees with him. My grade-school teacher, wise Sister Nathan, would have called in your parents and recommended counseling with Father Hogben.

I’m not sure why Ebert classified Charles Krauthammer as “admirable,” but the rest is spot on.

Play Ball

I enjoyed this Stuart Carlson cartoon (especially appropriate given the weather we’ve been having in Chicago lately).

Click to see a full-size version.

Review: Pox Americana

Pox Americana follows the smallpox epidemic that spread through North America from 1775-1782, tracing its impact on the Revolutionary War and Native American and Colonial society. Historian Elizabeth Fenn is meticulous in chronicling the devastation, using firsthand accounts and surviving records to sketch out the death and fear that followed the disease.

The impact of smallpox on the Revolutionary War occupies much of the book. Epidemiologically, the Americans were at a disadvantage. Smallpox was endemic in Europe, and British soldiers were much more likely to have been exposed to the disease, gaining immunity. This vulnerability led to serious losses during the revolutionary army’s invasion of Canada, as smallpox weakened and killed susceptible soldiers.

George Washington struggled with the decision of whether to inoculate his soldiers. Under the imperfect technique of the time, inoculation was a draining affair, confining inoculees to sickbeds. The process also potentially increased the risks of transmission, as inoculees were contagious during the dormant period that followed inoculation. Fenn skillfully uses this dilemma to build tension in a historic account.

In the post-Revolutionary period, Fenn focuses on the impact of smallpox on Native American populations throughout the continent, offering repeated accounts of decimated villages and devastated cultures. Native peoples were more vulnerable to the disease, and the successive accounts of loss are heart-rending.

The book is thorough and engaging but can be technical in its presentation of history. The larger themes of the Revolutionary War aren’t fleshed out. The author, it seems, is confident that readers will remember battles and developments they may not have encountered since elementary school. But the book is compelling in advancing its central theme: the outsized impact of this continent-wide epidemic.