Review: Dog Duty by Bobby D. Lux

Dog Duty is a fun, but serious, dog noir romp by Bobby D. Lux.

An injury on the job ends up forcing a cop into retirement, but he finds it tough to adjust to the quiet life. Obsessed with his last case, he finds himself returning to his old patrol, brushing aside new friends for a chance at closure—and maybe revenge.

“I’ve been shot at,” he tells us near the start. “I’ve sniffed out bombs, drug paraphernalia, and crime scenes. I’ve chased killers and gang members in the rain. I’ve been punched and had my fur ripped out.”

As the last line hints, the noir core of “Dog Duty” is enhanced by the fact that its central figure is, well, a dog. Fritz is an alpha cop in the Grand City Police Department, but a run-in with a monstrous Rottweiler has left him with one lame leg and a hasty retirement party.

His old partner, Officer Hart, brings him back home to the suburbs, but Fritz can’t settle in so easily. Instead, he recruits his new backyard-mates—streetwise Ernie, a former stray, and dopey young Nipper—to trot down these mean streets in search of the dog who maimed him.

Written by Bobby D. Lux, the book offers a fun, imaginative look into the secret world of dogs. Fritz and his pals take us on a four-legged tour ranging from their cozy, confining backyard to secret dog speakeasies and high-rolling cat races.

The author does a great job capturing the world from a canine point of view, translating everything from doggie love to forbidden snacks to the rough business of discovering who’s top dog. “Only humans care about things like being fair and one-on-one and rules and you can’t do this or that,” an antagonist tells Fritz near the end, “but you got to remember that dogs ain’t like that…there’s just one rule I adhere to: I go home and you don’t.”

Lux is also serious about exploring the identity crisis sparked by Fritz’s forced retirement. Like many of his human counterparts, our dog has always defined himself by being a cop; he’s at a loss when the role is taken from him. Fritz’s reflections on the job convey a strong sense of pride and duty, but there’s arrogance as well as he dismisses others for not living up to his standard. His takeaway after filming a public-service announcement with the local police chief is revealing. “It took Chief Lennox six tries to get his speech right,” Fritz says. “I nailed the bark on the first take.”

Ultimately, Fritz has to resolve these complications before he can make headway in his old case—not to mention his new life. He’s a strong character: wounded, gruff, but self aware enough to change. While Fritz’s development is compelling over the course of the story, the book is at its best when he’s working with the rest of his scrappy ensemble, notably mutt Ernie, who enjoys the doggie pleasures in life and isn’t averse to the occasional breakout to pursue them. I had a lot of fun with the cast, although I do wish the strongest female character, Saucy, had gotten an earlier opportunity to roll with the rest of the gang.

Ultimately, “Dog Duty” isn’t going to win over the dog-show crowd (that bridge is burned), but it’s a great read. Lux has a lot of fun with the setting but plays it straight with the plot, even taking into account one questionable decision near the end by a human crook. (Hey, who said criminals were smart? Not Fritz.) In any case, the dogs run the show, and they’re a delight. I only hope the promised sequel becomes a reality.

New Book: “Dog Duty” by Bobby D. Lux

Available through Amazon, "Dog Duty" is a fun riff on a crime book, taking us along as former canine detective Fritz tries for revenge on the dog that drove him off the force.

FLYMF alum Bobby D. Lux has his debut novel out! Available through Amazon, “Dog Duty” is a fun riff on a crime book, taking us along as former canine detective Fritz tries for revenge on the dog that drove him off the force. Check out the Kindle edition at the link above; a print version will also be coming out soon for us fetishists.

Bobby was a longtime FLYMF contributor; he has a number of stories in FLYMF’s Greatest Hits. Bobby’s FLYMF work includes When The Camera Stopped Rolling, Mike Tyson Movie Reviews, O’Neill ‘Scopes’ An Early Career, Monkey Dance, Outrageous ClaimsIn Memorium, Adventures In Time Travel, The Worst Story Ever, Batman Begins By Superman, The Coreys, Tonto’s Shocking Discovery, Vegas Wedding, The Solution To America’s Problems, Superman Returns, The Pirates Of Swenxof, and “Sly” Nostalgia.

 

Review: Second City, Backstage at the World’s Greatest Comedy Theater by Sheldon Patinkin

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A nice history of Chicago’s famous improv comedy troupe. The book does a good job delving into Second City’s origins, calling up Chicago’s theater scene in the early 1950s as well as the acting “games” that inspired the group’s original approach.

From there, author (and longtime Second City creative director) Sheldon Patinkin takes us to the present day, pausing to catch up with famous alumni, notably the Murray-Belushi-Ramis core in Chicago and the Akroyd-Candy-Radner glory days in Toronto. There are tons of familiar faces in here, from Alan Arkin to Tina Fey, and it’s fun to see how they intersected with Second City (sometimes briefly) before moving on to other things.

The lifers have a presence as well, including original owner (and occasional director) Bernie Sahlins, producer Joyce Sloan and actor/director/madman Del Close. It may just be effective PR, but the book does have a nice familial feel, emphasizing the ties, and the occasional fights, that drew these disparate performers together.

The book is more a history than a humor collection; jokes and bits are interspersed throughout its pages, but it’s more a collection of memories. There’s often a lot going on–actors coming and going, new playhouses opening in different spots to try to make some money. The narrative sometimes seems reduced to just a sequence of events–“this happened, then this happened, etc.” But the performer profiles sprinkled throughout and the clear reverence for what the group accomplished offer a unifying thread.

Hardly a tell-all, this is still a good read for comedy fans interested in the institutional side of things. It probably helps to be a Chicagoan…or at least a Torontonian.

Review: The Absolutely True Diary of a Part-Time Indian by Sherman Alexie

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The Absolutely True Diary of a Part-Time Indian” is a moving young-adult offering from Sherman Alexie. The story centers around Junior, a teen living in a Spokane Indian reservation who decides to chase a better life by leaving his tribal high school for a better (and all-white) school in a nearby town. His home community feels he’s betrayed them even as he struggles to fit into his new environment. You have all the familiar teen problems on top of that, with racism, poverty and marginalization thrown in the mix.

Alexie covers this ground with sympathy and humor, sharing a narrative that references his own upbringing. Even before he leaves the reservation Junior is an outcast, a frequent target for bullies due to some disabilities (seizures associated with “water on the brain” at birth) and general nerdiness. After a rocky start, his new community is more accepting, although tragedy and some well-timed cross-the-tracks basketball games lead Junior to wonder where his loyalties lie.

Adult readers aren’t the target audience for the book, and they may feel ahead of the class as Junior explain every facet of his problems, leaving few insights for the reader to discover. Some of the characters fall into stereotypes as well, notably the “nerd” at the new school, Gordon, who takes on that robotic, overelaborate way of speaking that marks geeks in popular culture.

But the book is still well crafted, which is no surprise, given Alexie’s talent. It offers a clear view into another culture and also a firsthand look at poverty and the crippling effects of alcoholism, which the author captures with a sharp, matter-of-fact bluntness. Many teen readers will benefit from the perspective, and adults will likely find something to value in the brisk read also.

Review: The Lowland by Jhumpa Lahiri

TheLowland

A beautiful book. Lahiri’s decades-spanning tale centers on two brothers born in Calcutta around the time of partition. Both high achievers—and both very close—they nonetheless diverge as one, Subhash, heads to the United States for graduate school in oceanography and the other, Udayan, dedicates himself to the region’s violent Communist uprising.

The rest of the novel explores the repercussions of those decisions, both for the brothers themselves and the generations that follow. On the one hand, you have an immigrant’s tale of alienation and eventual accommodation, one that’s sensitively captured. Subhash falls in love with his new home, making a life for himself there that wouldn’t have been possible in the country of his birth. Udayan, in contrast, remains committed to India, falling in love with a self-destructive movement that promises to liberate it—and ends up being crushed instead.

Udayan falls in love with a woman as well, and it’s that relationship—and its entanglements—that end up driving the rest of the story. Lahiri uses the theme to explore guilt, repentance and above all the ongoing damage the past’s decisions can carry to the present day.

While the point of view varies, the bulk of the book centers on Subhash. That causes some problems; while he’s a likable character, he’s also a steady, conservative actor, and the narrative can drag a bit as we follow him through a series of responsible choices. I think the author wanted to place this honorable man and his choices in the spotlight, but while they shouldn’t pale in comparison to the revolutionary fervor of Udayan, they do.

A better balance between the two brothers might have made the book more propulsive. But it would also be a mistake to paint the brothers as equivalent, as Subhash is by far the more substantial of the two. Udayan is an idealist, but the outcomes of his actions, viewed through the long lens of “The Lowland’s” narrative, deserves the moral judgment that’s ultimately placed on him.

While some characters are more sympathetic than others, Lahiri is fair to all of them. She also captures the richness of her settings, both steaming Calcutta and cool Rhode Island. (California makes an appearance as well, but it’s more of a placeholder.)

Like Subhash, this novel is reserved in its pacing presentation. But spend enough time with it, and you see the unshakable core at its center.