Read Classic Comics Online

It’s always bittersweet when you hold an idea for a long time and then see that someone else has acted on it before you had the chance. In the case of the Comic Strip Library, however, it’s a bit of a relief, seeing as it was probably a lot of work! The web site, hosted by Zachary Chavez, features full scans of classic U.S. comic strips that have entered the public domain, namely Winsor MCay’s gorgeous Little Nemo In Slumberland and George Herriman’s oddball Krazy Kat. (Later Krazy Kat strips can also be found at Peter Campbell’s Coconinio County.)

All are worth a read, but there are also plenty of other classic comics in the public domain that can’t be found on the web…maybe there’s room for me yet!

The American Idea

In the Atlantic’s 150th anniversary issue, they asked a variety of authors, inventors, intellectuals and cultural figures to comment on “the future of the American Idea and the greatest challenges to it.” The responses are interesting to read, even as many of the respondents struggle to define the American Idea, much less predict its future.

John Updike, George Will, Google Founder and CEO Eric Schmidt, Edward O. Wilson, Nancy Pelosi, Greil Marcus, Arnold Schwarzenegger, Robert Pinsky, Sam Harris, Frank Gehry, Judith Martin and many others participated. Many of the reactions align the state of the American Idea with our country’s current direction, rendering it bleak, while others are more hopeful. Some are creepy (Tim LaHaye, the author of the Left Behind screeds), some are shallow (Arizona governor Janet Napolitano, whose piece could be a tourist brochure), and some are outright pricks (Tom Wolfe, whose patronizing essay makes me relieved I never bothered to pick up I Am Charlotte Simmons).

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Grease Is Good

Fast Company magazine has an amazing article about Johnathan Goodwin, a Wichita mechanic who’s able to modify cars to provide drastically more running time on dramatically less fuel (or biodiesel).

As the article reports, “The numbers are simple: With a $5,000 bolt-on kit he co-engineered–the poor man’s version of a Goodwin conversion–he can immediately transform any diesel vehicle to burn 50% less fuel and produce 80% fewer emissions.”

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Ha Ha, Charade You Are!

Chris Colin has a damning article at SFGate.com documenting the workplace harassment faced by Kurdish-American mechanic Hamid Sayadi after September 11th. Sayadi, who was granted amnesty in the United States in 1977 after fleeing Iraq, alleges he was called a terrorist, had his tires slashed and had his lunch box inspected by his superior (for fear of a bomb being inside); he’d worked for his employer, New United Motor Manufacturing Inc., since 1990. The last straw? Being strip-searched by security when he attended a company-sponsored “Mission Accomplished” party after the 2003 invasion of Iraq.

I doubt this is an isolated incident; I can’t imagine the barrage of hostility people of Middle Eastern descent have had to endure over the past six years. Of course, American ignorance isn’t a finely wielded tool–my best friend, who is of Indian descent, has been called “a Palestinian terrorist” and “Osama Bin Laden” by thoughtless pigs on the street. If this is the new America we’ve chosen, let me offer a thought for our updated national anthem: a series of oinks and squeals.

It’s Not Fundamentals

Chuck Klosterman has a perceptive article on ESPN.com about the “problems” facing the NBA. He argues that the NBA’s continual state of crisis doesn’t result from player misconduct or racism on the part of fans. After all, he says, the NFL is subject to these same factors, but its popularity has surged over the past decade.

Instead, Klosterman claims that the unpopularity of the NBA stems from three issues inherent to the game. First is the reality that “some games are going to be boring.” Second is the fact that “We are an unshared society” (i.e. the racial, economic and talent gap between players and fans makes them utterly unable to relate to one another). Third is the idea that “potentiality destroys happiness” (i.e. the balletic potential of the game is undermined by bricked shots and long slogs in the low post).

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