Category Archives: Movies

Which One’s Monty?

The Onion A.V. Club has an interview with John Cleese where he reminisces about his career, Monty Python, and the current state of comedy filmmaking. He comes off as warm, perceptive, and genuinely funny.

The Life of Brian inspires a detour into theology, which is where Cleese drops a nice quote:

Here’s what I think in a single sentence: I think that the real religion is about the understanding that if we can only still our egos for a few seconds, we might have a chance of experiencing something that is divine in nature. But in order to do that, we have to slice away at our egos and try to get them down to a manageable size, and then still work some practiced light meditation. So real religion is about reducing our egos, whereas all the churches are interested in is egotistical activities, like getting as many members and raising as much money and becoming as important and high-profile and influential as possible. All of which are egotistical attitudes. So how can you have an egotistical organization trying to teach a non-egotistical ideal? It makes no sense, unless you regard religion as crowd control. What I think most organized religion—simply crowd control.

That’s a bumper sticker waiting to be made. I can see the steeple graphic already.

No Country For Meek Men

Texas scrubland provides the ideal landscape for No Country For Old Men, the new film by the Coen Brothers. Barren scenery abounds, with intermittent trees providing just enough shade for a man to die under. The climate is a hardening sort, one that produces tight-lipped men prone to throwing their lives away on shaky bets, well aware that bad odds are better than none at all.

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We’re Not Talking About A Dog Here

FLYMF writer and Whorescopes maven Angela Lovell has a short film, “Girl’s Best Friend,” available for viewing on YouTube. The movie’s a relationship spoof, spanning the range from initial enchantment to eventual disillusionment with an intimate, inanimate stand-in. It hits a lot of fun notes, and Angela does a great job in the lead role.

In addition to being FLYMF’s urban astrologer for nearly two years, Angela also gave us the Lawnballers, Never Judge An Artist By Her Vagina Dress (Or Lack Thereof), The Troll Made Me Do It, and I’ll Have My Rapist With A Side of Cranberry Sauce, the latter of which she’ll be performing at a Naked Holidays theater performance in New York City (link leads to a naked Santa). You can find more of her writing (and updated Whorescopes) at her website, Ticking Boxes.

Illegal Use of Joe Zopp—It’s a Movie!

WutWutAlma has produced an official trailer for their feature-length film, Illegal Use of Joe Zopp. I was lucky enough to see the movie in a screening a couple weeks ago, and I was really impressed with what they’ve pulled off. The highest compliment I can offer is that it feels like a real film: the visual portrait is crisp and energetic, and a ton of great have contributed tracks for a solid soundtrack. The story follows its own idiosyncratic path, avoiding the easy jokes and taking the humor in some absurd directions. The acting is great too, with Nick Holle, co-creator of FLYMF, doing a hell of a job as the lead. They’re submitting the movie to festivals now, so hopefully some really good news will be in the coming.

For those eager to see other movies Nick has starred in, check out FLYMF’s Last Movie, Monkey Dance, Outrageous Claims and, stretching back to the shaky beginning, FLYMF’s First Movie. (Please note—all are big files and will take a little while to load.) More movies can be found in FLYMF’s multimedia section.

Glitter and Grandeur

“Jackie is just speeding away/thought she was James Dean for a day/then I guess, she had to crash/valium would’ve helped that bash”

Life and art were indistinguishable for Jackie Curtis. The playwright, actor and drag artist was constantly on a stage of his own making, sometimes for two to three days straight thanks to the input of copious amounts of speed. A New York native, Curtis sought the glamour of Andy Warhol’s Factory scene as a high schooler, bringing in plays conceived in amphetamine fits and starring in some of Warhol’s early films—Flesh and Women in Revolt—with fellow drag star Candy Darling. While Warhol’s films and Lou Reed’s tribute in song may be Curtis’ best-known efforts, Craig Highberger’s documentary Superstar in a Housedress reveals the actor’s ultimate impact on the New York avant garde scene as well as gender-bending stars such as David Bowie.

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